Metaphor of Organization as Organism

Introduction Before the metaphor of organization as organism was introduced, organizations were viewed as machines. This metaphor of organizations as machines laid the foundation upon which organizations sought for more effective ways of responding to their external environment.Advertising We will write a custom essay sample on Metaphor of Organization as Organism specifically for you for only $16.05 $11/page Learn More The lack of flexibility that many bureaucratic organizations experienced forced organizational theorists to look for a different perception of organizations. As a result, theorists sought for answers in to biology, and more specifically ecology, to understand how organizations work. Hence the metaphor of organizations as organism was born. Ecology explains how organisms relate with their environments. When applied to organizations, â€Å"the social ecology of an organization implies there is a living system of relations between people, t heir small groups, and their communities,† (Morgan, 1998, p. 34). This paper discusses the metaphor of organization as an organism as proposed by Gareth Morgan. Discussion The notion of population ecology and its application to organizations borrows a leaf from the Darwinian assertion â€Å"survival for the fittest† whereby only the strongest of a particular species survives. The idea that organizations need to survive in the highly competitive business world in the wider external setting forced some organization theorists to look at organizations as open systems. Responding to the external environment requires a â€Å"stimulus response† (Buono Jamieson, 2010, p. 120) that is inherent in the organism metaphor. The open system ideology not only views the organization as a component of a bigger system, but also as constitute of integrated subsystems within the organization (Morgan, 1998). These systems mutually depend on each other and ideally assist each other to uphold several fundamental processes. In order for any organism to survive, it needs to understand its needs and vulnerabilities. This is also the case for an organization. Indeed, the growth and sustainability of any organization will not only enable it to survive in the highly competitive setting, but it will also enable it to be flexible enough to respond swiftly to the variations that take place as a result of variations in the environment. Flexibility and variations in an organization occur through redesign. Alvesson (2002) explains the redesigning as varying the fundamental make-up and procedure of an organization.Advertising Looking for essay on business economics? Let's see if we can help you! Get your first paper with 15% OFF Learn More The survival of an organization also requires effective leaders who are participative and democratic, contrary to the authoritarian or autocratic styles of leaders that are the norm for mechanistic organizations (Golembiewski , 2000.) Participative and democratic leaders support association and active participation of the members. Therefore, the survival of an organization is also dependent on the growth and development of its members. The growth of organizational members can be illustrated through the development of attractive jobs, and independence, dependability and acknowledgment. This will enable the organization to be productive and hence stay ahead of its competitors. Strengths of the Organism Metaphor of Organizations The earlier metaphors of organization (as machines) did not attach any importance to the role the environment plays in the survival of an organization (Massarik, 1995). The theories therefore viewed organizations as closed systems that could be constructed as clearly defined structures of components. On the other hand, the ideas proposed by the organism metaphor put emphasis on the environment in which organizations function and as a result organizations need to take into considerat ion their environments in order to survive. The organism metaphor puts emphasis on the organizational survival as the major objective of any organization. This is contrary to the focus of the earlier theories on the attainment of specific operational objectives (Jackson, 2000). Survival is a procedure which leads to the attainment of objectives and targets. This view adds flexibility and gives warning of the danger of treating goals and objectives as ends in themselves. This is a universal mistake of many organizations. The organism metaphor also focuses on the utilization and attainment of resources as well as the fulfilment of diverse needs which support a wider and suppler strategy (Magalhaes, 2004). The attainment of congruence with the environment is a major managerial chore. Weaknesses of the Organism Metaphor of Organizations Organisms are species that exist in a natural world with material characteristics that influence the survival and wellbeing of its members. This natural world can be seen, felt and touched. Nature is objective and real in every way. Nevertheless, this image is not realistic when applied to an organization because organizations and their environments are mainly socially construed phenomena (Taylor Every, 2000). Organizations are the results of visions, ideas, norms and beliefs, and therefore their form and make-up is more delicate and cautious than the material make-up of an organism. Even though there are numerous material elements of an organization, organizations basically depend for survival – in the form of persistent organizational activity – on the imaginative deeds of human beings. It is therefore deceptive to argue that organizations are required to adjust to their external settings, as the earlier theorists argue.Advertising We will write a custom essay sample on Metaphor of Organization as Organism specifically for you for only $16.05 $11/page Learn More Conclusion The organiza tion as organism metaphor views organizations as entities that depend on the interdependence of its members for its survival. To a great extent, this metaphor is helpful in analyzing the functioning and survival of organizations particularly in reference to its external environment. Although the metaphor has much strength, it also has a number of limitations which have been discussed in this paper. Reference List Alvesson, M., 2002. Understanding organizational culture. London: Sage. Buono, A. Jamieson, D., 2010. Consultation for organizational change. New York: IAP. Golembiewski, R., 2000. Handbook of organizational consultation: revised and expanded. New York: CRC Press. Jackson, M., 2000. Systems approaches to management. London: Springer. Magalhaes, R., 2004. Organizational knowledge and technology: an action-oriented perspective on organization and information systems. London: Edward Elgar Publishing. Massarik, F., 1995. Advances in organization development: volume 3. New York : CRC Press.Advertising Looking for essay on business economics? Let's see if we can help you! Get your first paper with 15% OFF Learn More Morgan, G., 1998. Images of organization. London: Berrett-Koehler Publishers. Taylor, J. Every, E., 2000. The emergent organization: communication as its site and surface. London: Sage. This essay on Metaphor of Organization as Organism was written and submitted by user Jazmin Vinson to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here.

11 Popular Romance Tropes †and How to Make Them New Again

11 Popular Romance Tropes - and How to Make Them New Again 11 Popular Romance Tropes - and How to Make Them New Again â€Å"And they lived happily ever after.† This line alone should give you an idea that this article is talking about the romance genre. And while a Happily Ever After is really a non-optional feature of the genre, authors can choose to incorporate romance tropes to provide readers with instantly recognizable markers that help them immediately relate to the love story at hand.Tropes are plot devices, characters, images, or themes that are incorporated so frequently in a genre that they’re seen as conventional. â€Å"Trope† is often seen as a dirty word, because it feels interchangeable with the word â€Å"clichà ©.† And while authors shouldn’t simply duplicate story formulas that have proven popular, incorporating tropes can provide a signal to readers about what kind of book they’re dealing with. At their core, tropes are really just things that are familiar. And people enjoy the familiar.So if you’re an aspiring romance writer, do yo urself a favor by getting acquainted with the popular romance tropes out there. It will help you get an idea of what romance readers already like, and will help you write stories that feel refreshing and new. You can start with this list! 10 of the most popular romance tropes - and how to make them new again Character Development: How to Write Characters Your Readers Won't Forget Read post Develop unique characters, write meet-cutes that resonate with the theme of your story, pepper your narrative arc with conflict and tension that feel real. Most of all, pay attention to the love story you’re writing, and work on developing that in a way that draws readers in and encourages emotional investment. Finally, evaluate whether you’re using a trope simply because you know readers like it, or because it adds value to your story. There’s nothing wrong with including elements you know readers love, so long as it enhances the story in one way or another.With love, ReedsyIf you want even more amazing tropes, check out the following Reedsy Discovery posts on romance:The 25 Best Romance Authors (And Their Must-Reads)30+ Best Young Adult Romance Books That You Can't Miss Out On40+ Paranormal Romance Books with BiteAnd let us know your own favorite tropes in the comments!  Ã°Å¸â€™â€"

Amerigo Vespucci Research Paper Example | Topics and Well Written Essays - 750 words

Amerigo Vespucci - Research Paper Example This fact is proven by letters and other passages of text found attributed to Vespucci (Uzielli). He studied the sciences of physics, cosmography, astronomy, and geometry, contributing immensely to their progress (Uzielli). Therefore, it is fair to say that Vespucci was not just a gifted navigator, as is known of him more commonly, but also an eager student of science, who quickly mastered the existing sciences and was a learned man of his time. After the death of his father in 1483, Vespucci joined the household of Lorenzo di Pierfrancesco de’ Medici as steward (Uzielli). Due to his loyalty and his skill, he was promoted in rank and position in the household till he was made a businessman with the family. It was through this business opportunity that Vespucci was able to acquire ships and join the expeditions of Columbus into the New World (Uzielli), this being described fully in the proceeding paragraphs of this paper. In 1491, Vespucci came to Spain and settled in Seville, a place that was to serve as his hometown for the rest of his life, and from where he would launch around four voyages to the New World (Amerigo Vespucci). At that time, it was felt in Europe, due to reasons beyond the scope of this paper, that the East and the Indies should be reached by way of the West, something that became more of a motto for the navigators of that time (Uzielli). Therefore, the voyages of Columbus and later of Vespucci were to become so significant, both economically and geographically. On the 10 of May, 1497, after acquiring three ships from the King of Castille, Vespucci set sail on his first voyage toward the West, through the Fortunate Islands towards either Guiana or Brazil (Uzielli). It is believed that he might have made his made into the Gulf of Mexico and then sailed along a great portion of the United States as far up as the Gulf of St. Lawrence, before returning to Spain on the 15 of October, 1498 (Uzielli). Vespucci sailed on his second voyage from Spain on the 16 of May, 1499 (Uzielli). He was accompanied by Alonzo de Ojeda and Joan de la Cosa (Uzielli). It was on this second voyage that he discovered Cape St. Augustine and the Amazon River (Uzielli). He traveled through Cape Verde and Equator until he landed on the coast of Brazil (Uzielli). Due to the exhaustion that he contracted owing to his long travels, he was taken ill when he returned to Spain in the September of 1500 (Uzielli). It was after he got well again that he wrote an account of his travels in his second voyage (Uzielli). The fourth and the fifth voyages of Vespucci commenced from Portugal instead of Spain (Uzielli). On 1 January, 1502, he named the Gulf of Bahia on his third voyage (Uzielli). In the same voyage, he discovered the Island of Georgia when he was traveling to the South America after he had discovered Bahia (Uzielli). During his fourth voyage in 1503, having found an area rich in brazil-wood, he established an agency in the Cape Frio (Uzielli). Ac cording to some sources, Vespucci made another voyage, a fifth one, in 1505, to the West, during which he found gold and pearls in the area (Uzielli). This was followed by a sixth voyage for the same purpose (Uzielli). However, not much evidence is found of these two last voyages, not even in Vespucci’s own writings (Uzielli). In 1505, Vespucci is believed to have married a lady by the name of Maria Cerezo (Uzielli). She bore him no children, and died either in 1523 or 1524 (Uzielli). However, Vespucci took his brother’

Summary article Essay Example | Topics and Well Written Essays - 750 words

Summary article - Essay Example The authors, in trying to answer this question conducted a research on the regularly shod athletes in the United States and the endurance athletes of the Rift valley province of Kenya. According to the research, endurance athletes of the Rift Valley province of Kenya, while on the track land on the forefoot before they could bring down their heel. In other instances though, they land with a mid-foot strike or in other instances, though less often, on the rear-foot-strike. On the other hand, regularly shod athletes land on their rear-foot strike, facilitated by the elevated and cushioned heel of the modern shoe. While running, athletes risk injuries occurring in three ways; the rear-foot strike, where the rear foot lands first, injuries from the mid-foot strike which where the heal and the ball of the foot land at the same time and fore-foot strike, where the ball of the foot lands before the heel. While sprinters often FFS, contemporary endurance runners RFS, and as such, they should be willing to endure more body weight with every impact. According to the authors, the design of the modern running shoe makes the RFS running more comfortable as well as minimizing its injuries. The shoe, by having a large heel filled with elastic materials, allows the spread of the impact over more time, thus reducing the injury caused to the runners. With this technology therefore, the authors sought to understand how athletes, before the invention of the running shoe used to hit the ground when running. Their research methodology, which involved the comparison of kinematics on tracks at preferred endurance running speeds, considered individual runners from five groups. Using the age of the runners and their shoe wearing habits, these researchers identified the study population. Among these groups were habitually shod athletes from the USA, endurance athletes from the rift valley province of Kenya, US runners who grew up using the footwear but currently run barefoot or with mini mal footwear, runners who have never won shoes and people who have for most of their lives been shod (Lieberman et al.531). The authors reveal that habitually shod runners who grew up wearing shoes, in most cases when shod RFS, although they predominantly RFS when barefoot on the same hard surfaces. On the other hand, however, individuals who grew up barefoot, or switched to barefoot running, in most cases, FFS followed by heel contact, whether shod or barefoot. Further, barefoot conditions in most cases MFS. As the research established, the cushioned sole of most of the modern running shoes, having a thickset below the heel, is the main contributing factor to the predominance of RFS in shod runners. This shoe elevates runners at least 5 degrees from the ground, and as such, the habitual unshod runners RFS less frequently. Subsequently, the shoes with elevated, cushioned heels facilitate RFS running, as the authors conclude. Further, the authors observe, that due to the differences in kinematic among foot strikes, they generate different forces of collision on the ground. By comparing this impact with the habitually shod and barefoot adult runners, all from the United States, the researchers were able to come up with this conclusion. The research also establishes that contrary to FFS whose impacts during the toe-heel-toe gaits generate ground reaction forces without a transient even when tested on a steel force plate, RFS landings cause larger

Accounting - finance Essay Example | Topics and Well Written Essays - 1500 words

Accounting - finance - Essay Example Lastly, a budget is important because it is used by the management to monitor the results of operations and to take any corrective actions when such a need arises. Another concern very much applicable to a manufacturing company like ours is the proper implementation of a standard cost and variance reporting system. According to Gene Siciliano (2003, p. 134), the power of this system lies in the analysis of the differences or variances and utilizing the results of such analysis to ensure that the managers change what they are doing, all for the long-term profitability of the company. The standard cost and variance reporting system is important because it helps management measure the efficiency of each department; it aids management in pinpointing where exactly the deviations occur and in taking corrective measures accordingly; it controls costs and, lastly, it aids management in making the right decisions on which areas need to be addressed (Globusz Publishing, n.d.). HK Corporation (the Company), like a lot of companies, has its own budget and standard cost system. However, in the last few years, we have been unable to meet our budgeted targets for sales and net income before income tax making the budget fail in its goal to control our operations. I believe that our budgeting process has contributed to our failure to achieve our targets. This report that I am submitting shows why I believe this is the case. My report also contains some suggestions or recommendations on how our budgeting process can be revised to solve its problem and how we can improve on our standard costs and variance reporting systems. First of all, the top-down approach has led to inadequate allocation of resources and dissatisfaction among the managers. In fact, most often than not, after the director of finance and the other managers met to thresh out the problem areas in the budget, we see our managers often left

Overview Of Beethoven And Mozart Music Essay

Overview Of Beethoven And Mozart Music Essay According to Mozarts Magic Flute and Beethoven (2004), During the XVIII century in some countries (Italy, Germany, Austria, France) results the formation of new genres and forms of instrumental music, was finally formed and reached its climax in the so-called Viennese classical school. Viennese classical school, organically absorbed the advanced achievements of the national musical culture, was itself deeply national phenomenon, rooted in the democratic culture of the Austrian people.  Representatives of the artistic direction have been V.A.  Mozart and L. van Beethoven.  Each of them was a bright personality.  Mozarts style was more typical lyric-dramatic start.  The style of Beethoven was the embodiment of heroic pathos of struggle.  However, along with the differences which result in unique individuality of each of these composers, their combined realism, life-affirming and democratic beginning. Art of Viennese classics made into world music a powerful jet of realistic and democratic, based on the wealth of folk art, and because it has preserved for us all of its value and artistic significance. Creativity of Mozart occupies a special place in the Viennese Classical School.  In his classic works of rigor and clarity of form united with deep emotion.  Music composer is close to the directions in the culture of the second half of the XVIII century. Also, there were converted to human feelings Storm and Stress, part sentimentalism, and by Mozart was first shown the contradictory inner world of the individual. According to SolomonHYPERLINK http://en.wikipedia.org/wiki/Maynard_Solomon HYPERLINK http://en.wikipedia.org/wiki/Maynard_SolomonMaynard  (1995), Wolfgang Amadeus Mozart was born in Salzburg (Austria).  With a phenomenal musical ear and memory, he was already in his early childhood, he learned to play the harpsichord, and in five years, wrote the first essay.  First teacher of the future composer was his father, Leopold Mozart Orchestra Musician Archbishop of Salzburg.  Mozart brilliantly mastered not only the harpsichord, but also organ and violin, and was famous as a brilliant improviser.  When he was six years old, he toured Europe.  At eleven, he created the first opera Apollo et Hyacinthus, and fourteen had already conducted in a theater in Milan at the premiere of his own opera Mitridate, King of Pontus. Around the same time, he was elected a member of the Philharmonic Academy of Bologna. Like many musicians of that era, Mozart was on the court service (1769-1781) he was the accompanist and organist for the Archbishop of Salzburg.  However, the independent character of the wizard causes a sharp displeasure with the archbishop, and Mozart chose to leave the service.  Of the outstanding composers of the past he was the first who chose to live as a free artist.  In 178,1  Mozart moved to Vienna, where he had a family.  He earned rare editions of his own, piano lessons and performances. Particular attention is paid to Mozart opera.  His works are an epoch in the development of this kind of music.  Opera has attracted the composer by the opportunity to show the relationship of people, their feelings and aspirations. Mozart did not try to create a new operatic form novel itself was his music.  In the mature works of the composer abandoned the strict demarcation of the opera on a serious and comic there was music and drama performance in which these elements are intertwined.  As a consequence, in the operas of Mozart has not unambiguously positive and negative characters, the characters are vibrant and multifaceted, not bound by the role. Mozart often turned to literary sources.  So the opera Le Nozze di Figaro (1786) was written on the play by French playwright Beaumarchais Crazy Day or The Marriage of Figaro, which was banned by the censor.  The main theme of the opera is love, which, however, can be said of all the works of Mozart.  However, there is in the product and the social implications: Figaro and his beloved Susanna are smart and energetic, but they are of humble origin. They were only servants in the house of Count Almaviva.  Their opposition to master (stupid and fooled aristocrat) elicits the sympathy of the author it is clear that he was on the side of love. In the opera Don Giovanni (1787), he received his musical incarnation of the medieval story of the seducer.  Energetic, temperamental, capricious and free of all moral norms, the hero confronts in the face of a Commander of a higher power, a symbol of reasonable order.  Philosophical generalization neighbors here with amorous intrigues and genre and household items.  Tragic and the comic form an indissoluble unity.  It would seem that justice prevails in the final sin (Don Giovanni) punished. But the music of the opera is thinner and harder this simplified understanding of the product: it gives the listener sympathy for the hero, remains true to herself even in the face of death. Philosophical tale The Magic Flute (1791) was written in the zingshpil genre.  The main idea of the work the inevitable victory of good over evil, calls for fortitude, to love, to understand its ultimate meaning.  Heroes of the opera are serious tests (silence, fire, water), but worthy of overcoming them and reach a realm of beauty and harmony. As a representative of the Viennese Classical School,  Mozart attached great importance to the genre of the symphony.  Especially popular are the last three symphonies Thirty-ninth, fortieth and forty-first (Jupiter), created in 1788.  Works of this genre finally anchored four-part cycle, and the rules of the sonata form. Symphonies by Mozart include a variety of subtle emotional nuances.  Topics are often uneven in nature, challenging the rhythm, sometimes accompanied by sharp run harmonies, but the music remains honed, clear form. According to SolomonHYPERLINK http://en.wikipedia.org/wiki/Maynard_Solomon HYPERLINK http://en.wikipedia.org/wiki/Maynard_SolomonMaynard  (1995), Mozart also became one of the founders of the genre of classical concert.  The basis of competition concert soloist and orchestra, and this process is always subject to strict logic.  Composer has written twenty-seven concerts for piano and orchestra, and seven for violin and orchestra.  In some works of listeners struck a masterly skill, festivity, in other dramatic and emotional contrasts. Mozart piano works include nineteen sonatas, in which he continued to develop the sonata form, as well as essays in the genre of fantasy (of music based on improvisation and free form).  The composer refused harpsichord and clavichord, in comparison with the piano softer, but weak sound.  Mozart piano style was a clear, elegant, with well crafted melodies and accompaniment. Mozart composed the music very easily, sometimes without drafts, creating works, unsurpassed in artistic beauty and harmony.  Musicians, contemporaries appreciated talents of Mozart, but most of the aristocratic audience did not understand his work, and in recent years, the composers life did not take at all.  Mozart died in poverty and was buried in Vienna in a common grave. Music should strike a light from the human breast a word of German composer Ludwig van Beethoven, whose works belong to the highest achievements of musical culture. Beethovens worldview evolved under the influence of the Enlightenment ideals of freedom and the French Revolution.  The music of his work on the one hand, continued the tradition of Viennese classicism, on the other depicted features of the new romantic art.  From classicism in the works of Beethoven upland content, excellent possession musical forms, genres appeal to the symphonies and sonatas.  From Romanticism is depicted bold experimentation in the field of these genres, the interest in vocal and piano miniatures. According to Peter J.  Davies (2002), Ludwig van Beethoven was born in Bonn (Germany) in a family court musician.  He began studying music since childhood under the guidance of his father.  However, the present mentor, Beethoven was a composer, conductor and organist.  He taught the young musician of composition, taught to play the clavier and organ.  With eleven years of Beethoven served as assistant organist at the church, then the court organist, accompanist to the opera house in Bonn.  At eighteen he entered the University of Bonn in the Department of Philosophy, but did not finish it. In 1792,  Beethoven moved to Vienna.  He took music lessons from Haydn, Albrechtsberger, Salieri (the biggest musicians of the era). Beethoven soon began giving concerts, became popular.  He wrote a lot: he wrote sonatas, concertos for piano and orchestra, symphonies. For a long time, no one guessed that Beethoven was struck with a serious illness he began losing hearing.  Convinced of the incurable illness, the composer decided to retire from life and in 1802  prepared a will, which explained the reasons for his decision. However, Beethoven was able to overcome despair and found the strength to write music on.  Exit from the crisis was the third (Eroica) Symphony. In 1803-1808  composer also worked on the creation of the sonatas, in particular the Ninth for violin and piano (1803), Twenty-Three for piano, Fifth and Sixth Symphonies (both of 1808). Sixth (Pastoral) Symphony is subtitled Memoirs of rural life.  This work paints a different state of the human soul, suspended for the time of the inner experiences and struggles.  It was symphony of the feelings arising from contact with the natural world and rural life.  Its unusual structure had five parts instead of four.  In the symphony there are elements of fine art, onomatopoeia (birds singing, thunder, etc.).  Beethovens findings were subsequently used by many Romantic composers. Premiere of the symphony took place in 1825  at the Vienna Opera House.  To implement the authors intention theater orchestra was not enough, we had to invite fans: Twenty-four violins, ten violas, twelve cellos and basses.  For the Viennese classical orchestra, such a train, it was unusually powerful.  In addition, each choir parts (bass, tenor, alto and soprano) include twenty four singers, which also exceeded the conventional norm. During the life of Beethovens Ninth Symphony for many remains unclear, she admired only by those who knew him closely the composer and his students and educated in music listeners.  Over time, the symphony began to include in its repertoire the best orchestras of the world, and it has found new life. According to Peter J.  Davies (2002), Works of the late period was characterized by restraint of the senses and the philosophical depth that distinguishes them from the passionate and dramatic early writings.  During his life, Beethoven wrote 9 symphonies, 32 sonatas, 16 string quartets, the opera Fidelio, Missa Solemnis, 5 piano concertos and one for violin and orchestra, the overture, the individual pieces for different instruments. Surprisingly, many works (including the Ninth Symphony), the composer wrote when he was already completely deaf.  However, his recent works sonatas for piano and the quartet are great masterpieces of chamber music. Thus, I would like to say that Beethoven and Mozart affected classical music dramatically. It is difficult to overestimate their contribution and influence on the development of classical music.  Masters of this style sought to clear and strict forms, harmonious patterns, and the embodiment of high moral ideals. Higher, the finest examples of art works they considered an ancient art, so that worked out ancient stories and images. Vertex in the development of musical classicism was the work of Wolfgang Amadeus Mozart and Ludwig van Beethoven, who worked mainly in Vienna and formed a line in the musical culture of the second half of XVIII early XIX century the Viennese Classical School. The composers of the Viennese classical school have created a very harmonious and logical system of rules of construction works.  Thanks to this system, the most complex feelings donned in a clear and perfect form.  Suffering and joy have become the subject of reflection for the composer, rather than experience.  The art of the Viennese classics has great value and artistic significance for all mankind.

Rights of Leadership: The Propaganda of Race and Class During the Aboli

Rights of Leadership: The Propaganda of Race and Class During the Abolitionist Movement Henry Highland Garnet and William Lloyd Garrison were two of the most instrumental leaders of the Abolitionist Movement. Their social backgrounds and experiences were responsible for contrasting the two leaders and influenced their approaches, beliefs and solutions to the abolishment of slavery. Their opinions and approaches were voiced in terms of the role of the political process, the role of moral persuasion and the role of violence as a means to an end. Though both Garnet and Garrison shared a common interest in the anti-slavery movement they differed greatly in their rhetoric and advocacy styles and techniques. Garrison, who was from a poor New England family was involved from an early age in the business of publishing as an apprentice to a printer, a job that laid the foundation for what would later be a career as editor of the Liberator, a paper that actively addressed controversial issues about the eradication of slavery. Although Garrison addressed issues concerning the eradication of slavery, he also focused on other causes such as temperance and women's voting rights. Due to his involvement in advocating for many other reforms, his critics accused him of being unfocused on the issue of abolition. Oppositely, Garnet focused solely on the elevation of the Black community which included a more extreme and active means to end slavery. Garnet, who escaped slavery with his family to the North, was still subject to racial violence. One incident that exemplified the racial aggression was when his house had been looted and his sister had been arrested as a "fugitive from labor." This event in the early part of his life was an introdu... ...Korngold, Ralph. Two Friends of Man: The Story of William Lloyd Garrison and Wendell Phillips and Their Relationship with Abraham Lincoln. Boston: Little, Brown and Co., 1950. Nye, Russel B. William Lloyd Garrison and the Humanitarian Reformers. Boston: Little, Brown and Co., 1955. Pillsbury, Parker. Acts of the Anti-Slavery Apostles. Concord, 1883. Rogers, William B. "We are All Together Now" : Frederick Douglass, William Lloyd Garrison, and the Prophetic Tradition. New York: Garland Publishing, 1995. Ruchames, Louis, comp. The Abolitionists: A Collection of Their Writings. New York: Capricorn Books, 1963. Schor, Joel. Henry Highland Garnet: A Voice of Black Radicalism in the Nineteenth Century. London: Greenwood Press, 1977. Walters, Ronald G. The Antislavery Appeal: American Abolitionism After 1830. Baltimore: Johns Hopkins University Press, 1976.